“VOY-AGE” A Solo Show of Paintings By Well-known artist Swati Roy at Nehru Centre Art Gallery, Mumbai

Mumbai, 18th November 2024 (GNI): VOY-AGE A Solo show of Paintings By Renowned artist Swati Roy at Nehru Centre Art Gallery, Dr. Annie Besant Road,, Nehru Centre Art Gallery, , Worli, From: 19^th to 25th November 2024, Timining: 11am to 7pm, Contact: +91 8910812801

Recent work of a luminary from Govt College of Art and Craft and a renowned contemporary artist Swati Roy will be showcased in a solo art exhibition at Nehru Centre Art Gallery, Dr. Annie Besant Road, Worli, Mumbai 400 018 from 19^th to 25^th November 2024. It will be open there for free public viewing daily between 11am to 7pm. This series made in watercolours on art paper using Gouche technique will exemplify subtle nuances of her skillful application of apt colours in thoughtful pragmatic thematic perceptions.

Swati Roy had her art education upto diploma in fine arts followed by diploma in Indian style drawing and painting from Govt. College of Art and craft, Kolkata. Then she displayed her thematic work in solo and group art exhibitions at renowned galleries all over India such as Academy of Fine Arts, Kolkata, Lalit Kala Academy New Delhi etc.

The present series VOY-AGE highlights subtle nuances of the thematic conceptualizations based on fundamental concepts and their skillful application via apt colour tones to suit thematic peculiarities. Her works have a magical sensibility via essence of both Indian and Western arts. Perfections in her style command over the medium and techniques   adopted and expertise in presenting non figurative abstraction compositions are commendable. Her work is in the genre of classic modernism and expressionism which are bold pictorials of her deepest thought. Her thoughts & Inspiration received from nature find a prominent place in the creative endeavors.

Her faith In phenomenal nature as the ultimate source of forms and configuration, duly reflects in the creation by selection of the recollected memories of the observed contents as configuration of colour-masses with shapes defined by contour lines on dimensional pictorial surface divided into flat colour areas. These shapes and spaces being the residues of images of the phenomenal terrains, sky, land, roads, plants etc become expressive. The various contour lines with which she encloses the shapely colour masses endow the shapes with a strange kind of organic rhythm thereby rendering expressionism to the work. In a way her works are at a junction between representationalism, formalism and expressionism. She has adopted suggestive colours and common symbols upheld by plastic rhythm and inventive shapes. The insistent flowing vegetative rhythms of semi-abstract and abstract combinations find a significant place in her creations which are both eloquent and lucid as well as thematically relevant.ends GNI